Review: Werewolf by Night (2022)

It’s a dark and stormy night in the Marvel Cinematic Universe, and five of the world’s greatest monster hunters have gathered at Bloodstone Manor at the behest of Verussa Bloodstone (Harriet Sansom Harris) on ...

Review: Thor: Love and Thunder (2022)

Here’s the thing about Thor: Love and Thunder, the fourth solo outing for the Marvel Cinematic Universe’s God of Thunder: pretty much every individual element works on its own, and almost none of it works...

Review: Marvel’s Hit-Monkey (2022)

It takes a little narrative manoeuvring—some of it awkward—to get to the high concept of Hit Monkey, Marvel/Disney’s latest small screen offering. So rather than recount the setup, here’s the pitch: after...

Review: Eternals (2021)

Well, they can’t all be winners. With the arrival of Chloé Zhao’s Eternals, somewhere Alan Taylor, director of Thor: The Dark World, is breathing a sigh of relief; he’s no longer responsible for the ...

Review: Black Widow (2021)

After Captain America: Civil War, but before The Avengers: Infinity War, Natasha Romanoff (Scarlett Johansson) is on the run in Europe when she’s sucked back into her old life as a Russian superspy. Contacted ...

Review: Loki (2021)

So, here comes the third Marvel live-action series for Disney’s streaming service, focusing on the continuing exploits of Loki (Tom Hiddleston, still ridiculously charming), Norse God of Mischief and frenemy o...

Review: WandaVision (2021)

While the Marvel Cinematic Universe is a cultural behemoth, the more interesting stuff tends to happen off to the sides, away from the big universe-shaking titanic tussles. With the launch of Disney+, whi...