Review: Zappa (2021)
“Legendary” is an adjective that gets thrown around a lot, often without too much justification. So too is “visionary”,...
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Review: Wrong Turn (2021)
I am pretty sure I saw the original Wrong Turn (2003) back in the day, but I remember almost nothing about it...
Review: Space Sweepers (2021)
It’s the late 21st century. Earth is an uninhabitable wasteland ravaged by pollution and climate change—so the rem...
Review: Tesla (2021)
Do we need another account of Croatian inventor Nikola Tesla’s life? Once obscure to all but the most tech-obsessed, he...
Review: Occupation: Rainfall (2021)
On the heels of 2018’s wildly ambitious Occupation comes the next instalment in writer and director Luke Spar...
Review: The Rental (2020)
Slasher films of the ‘80s may have conditioned us to cheer for the villain but, look, there’s a line, okay? And The Ren...
Interview: Emerald Fennell on Promising Young Woman
Actor and ‘Killing Eve’ writer Emerald Fennell’s directorial debut is blackly funny, deeply uncomfortable and angry as ...
Oscar Winner Fisher Stevens Talks us Through Directing Palmer
He struck Oscar gold with 2009’s confronting The Cove and created one of the cultural moments of 2020 with Netflix’s Ti...
Julien Temple Talks Wrangling the Narrative of Shane MacGowan for ‘Crock of Gold’
Filmmaker Julien Temple has set himself up as the pre-eminent cinematic chronicler of post-war British counterculture. ...
“Insane in the best way”: Tyler Johnston Talks Letterkenny
Even more wholesome Letterkenny content.
‘So fun to play’: Dylan Playfair on Being Part of Cult Comedy Letterkenny
MY one man campaign to popularise Letterkenny in Australia continues.
David Cross on crossing ‘The Dark Divide’
When the Zoom meeting kicks off and we’re doing that whole “settling into the groove” thing that all Zoom meetings requ...