Review: Firestarter – The Story of Bangarra (2020)
Art and politics are irrevocably melded in Firestarter – The Story of Bangarra. For the most part, the film is celebrat...
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Review: White Riot (2019)
London, 1976: The Queen’s Silver Jubilee is nigh, but the country is in the grips of a massive economic depression. The...
Review: High Ground (2020)
The Norther Territory, 1931: 12 years after participating in a brutal massacre that all but wiped out a Yolngu family g...
Review: 2067 (2020)
In the eponymous year 2067 ecological catastrophe has wiped out all plant life and the remnants of humanity eke out a l...
Review: Dirt Music (2020)
Tim Winton is hard to adapt for the screen. Do it right, as in Simon Baker’s 2017 feature directing debut, Breath, and ...
Review: An American Pickle (2020)
In the early 20th century, Jewish immigrant Herschel Greenbaum (Seth Rogen) is accidentally knocked into a vat of brine...
Dentistry, Deadlines, and the Ol’ Post-Festival Malaise
Hey folks, just giving you a quick heads up as to the current state of play. I got back from the excellent Adelaide...
Alex Winter Faces the Music with the Return of Bill & Ted
It’s been 29 years since Alex Winter last strummed the air as Bill S. Preston, Esquire, lifemate and bandmate to Keanu ...
Dvorit Shargal: Diving into ‘The Submarine Case’
In 2017, Swedish journalist Kim Wall disappeared while onboard the UC3 Nautilus, the homemade submarine belonging to Da...
Director Natalie Erika James on Unearthing Relic
Currently streaming on Stan, the new horror movie Relic sees a woman (Emily Mortimer) and her adult daughter (Bella Hea...
Daniel Henshall: Ghost in the Shell
Australian actor Daniel Henshall (Snowtown, The Babadook, These Final Hours) tells us about his small but memorable par...
Interview: Taika Waititi on Hunt For The Wilderpeople
I strongly, strongly recommend going to see the superb Hunt For The Wilderpeople before reading this; we get into some s...