Review: The Craft: Legacy (2020)
There’s no reason a long lead sequel to The Craft couldn’t work. The 1996 teen witch supernatural thriller is...
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Review: Antebellum (2020)
The first 40 minutes or so of Antebellum is straight-up torture porn. That’s not a term I throw around lig...
Review: Freaky (2020)
Christopher Landon’s schtick, if that word isn’t too unkind, seems to be taking well-worn sci-fi/fantasy tropes and par...
Review: Gangs of London (2020)
After Irish mob boss Finn Wallace (Colm Meaney) is murdered, the London criminal demimonde is thrown into chaos. While ...
Review: Brazen Hussies (2020)
If we don’t keep stories of struggle alive, they tend to be robbed of their power. We look at the past through the lens...
Review: Rams (2020)
When the Icelandic film Rams, from director Grímur Hákonarson, arrived in cinemas back in 2015, it did respectably...
Cyberpunk Cinema: An Online Panel
The inaugural Sydney Science Fiction Film Festival is happening from December 19-21 at the Actors Centre Australia in L...
Legendary indie film mogul Lloyd Kaufman is still shaking things up
At 75 years of age, schlockmaster-in-chief Lloyd Kaufman is still as spry, wry, and sly as ever. Having carved out a lo...
Dentistry, Deadlines, and the Ol’ Post-Festival Malaise
Hey folks, just giving you a quick heads up as to the current state of play. I got back from the excellent Adelaide...
Alex Winter Faces the Music with the Return of Bill & Ted
It’s been 29 years since Alex Winter last strummed the air as Bill S. Preston, Esquire, lifemate and bandmate to Keanu ...
Dvorit Shargal: Diving into ‘The Submarine Case’
In 2017, Swedish journalist Kim Wall disappeared while onboard the UC3 Nautilus, the homemade submarine belonging to Da...
Director Natalie Erika James on Unearthing Relic
Currently streaming on Stan, the new horror movie Relic sees a woman (Emily Mortimer) and her adult daughter (Bella Hea...