Review: WandaVision (2021)
While the Marvel Cinematic Universe is a cultural behemoth, the more interesting stuff tends to happen off to the sides...
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Review: The Stand (2021)
The Stand is a dull slog to Bethlehem, it's hour come round at last.
Review: The Mandalorian Season 2 (2020)
I was fairly disappointed in the first season of The Mandalorian, largely due to its lack of ambition and reliance on f...
Review: Nomadland (2020)
Director of The Rider and the upcoming Marvel tentpole Eternals (I am baffled, too) Chloe Zhao shines a light on some o...
Review: Wonder Woman 1984
Well, it’s the ‘80s, isn’t it? Certainly the production, the costuming, and the soundtrack won’t let you forget it. And...
Review: The Dry (2020)
When a childhood friend dies in a nasty murder-suicide, taking his wife and son with him, Australian Federal Police Age...
Julien Temple Talks Wrangling the Narrative of Shane MacGowan for ‘Crock of Gold’
Filmmaker Julien Temple has set himself up as the pre-eminent cinematic chronicler of post-war British counterculture. ...
“Insane in the best way”: Tyler Johnston Talks Letterkenny
Even more wholesome Letterkenny content.
‘So fun to play’: Dylan Playfair on Being Part of Cult Comedy Letterkenny
MY one man campaign to popularise Letterkenny in Australia continues.
David Cross on crossing ‘The Dark Divide’
When the Zoom meeting kicks off and we’re doing that whole “settling into the groove” thing that all Zoom meetings requ...
Cyberpunk Cinema: An Online Panel (Updated!)
Some of Australia's best speculative filmmakers get together to, well, speculate on cyberpunk screen culture.
Legendary indie film mogul Lloyd Kaufman is still shaking things up
At 75 years of age, schlockmaster-in-chief Lloyd Kaufman is still as spry, wry, and sly as ever. Having carved out a lo...